girlsolo: (hot mess)
By late afternoon, Kate's done all the crying she can stand. Bonny's whining sounds like a banshee or an abandoned child and Kate just can't fucking take it. She can't take staring at the walls or the sky or this stupid Western town. Maybe she should be glad it's not where she spent most of her life on the island with Declan, but right now it just feels like one more reminder he's gone. One more reminder she fucked up and he's gone and maybe she'll never see him again except on the reels. One more reminder that if he's gone, Will could be gone tomorrow, or Helen or Tesla or Jim or Steve or Bella or Savannah or William or...

It's one more fucking reminder that this place isn't home. She's not safe. No one is.

She decides to walk down to the Compound again. This'll be the third time today, but it might be the first time she's spoken. Might. She glares daggers at anyone she sees on the way. Not even her chicks are stupid enough to try to talk to her with the black cloud over her head and the lightning in her eyes. Jim or Steve or Aidan or Will might be, but she doesn't run into them.

That's good. She can't. She can't do that right now.

What she can do is leave a note for Will to tell Magnus and Tesla and leave notes for Sam and William that she can't sit for William for awhile. Because. Because Sam kept her chin up when her husband and the father of her baby and a man Dr. J says she loved for 12 years disappeared. Because Aidan watched The Three Stooges when Martha and Alfie disappeared. Because she and Declan agreed to leave each other notes once in every twenty-four hours if they hadn't seen each other, even if they were fighting, and she'll never get another note from him.

And because she is still here and the kids in the Children's Office need stability, she can go there. It's a contradiction. Ass-backwards that she can't privately babysit for William who she loves like family but she can't not go do her job. It's the same bullshit seesaw as wanting to strap on guns and water and run out into the desert one minute and wanting to find everyone she cares about, make sure they're okay, and go hug some of them and never let go the next.

She fucking hates this island. There's nowhere to go and no reason to stay and everyone reason to stay and finally miles and miles and miles to run all at once. No, she doesn't hate the island. Not today.

Today, she just hates herself. But she's pasting on her best pokerface (won't fool Will, but it should slide by Savannah) and walking through the door to work. William runs up to give her a high-five and the note she left in the mailbox suddenly seems flat. Wrong. She gives him his high-five, then winks (because he knows he's not supposed to be her favorite at work), and fights off the desperate urge to pick him up and hug him. Hopefully fast enough Savannah won't notice.
girlsolo: (Default)
After leaving Sam at breakfast, Kate takes an extra few minutes to pull her shit together before heading in to the Children's Office. William doesn't know yet, and he shouldn't find out from her. That means she can't be weird and hover and hug him too much, because he's damned smart.

She stops in the women's bathroom to wash her face and take a breath. In the mirror, she checks her everything's fine mask. Yeah, that's a lie she can still tell. Except the hints of bruising under her eye and on her jaw, there's nothing to say it's been a hell of a seven days.

Because everything's fine means quick-moving no time for doing it the right way, she lifts her shirt and dries her face on it. Selling a story is about the little details. William won't notice and she doesn't much need to sell Savannah. It'll just be easier if it's not written all over her how much it's fucking with her.

Probably doesn't help she's barely seen Declan since he brought Joan and Emily by on the way to the clinic. Days later, she's cooled down enough to accept that she asked him to do something he just couldn't and she loves him for it. But it's a fucking mess of an impasse because him being like that makes her feel weak and vulnerable when she needs to feel strong.

Whatever. She'll deal with Declan later. Tomorrow. Maybe tonight. If he can just leave like Sam's husband... She bares her teeth at herself in the mirror. Pull it together, Freelander.

A few minutes later, she's walking into the Children's Office. Each kid that looks up gets a smile and she tips her chin to Savannah when she gets near her. "Hey. Sorry I'm a little late. Something important came up. Will the kids be okay if we step into the hall for a few minutes?" She doesn't want to talk about Jack where any of them can overhear.

*
Title lyrics from Kings of Leon, "Frontier City".
girlsolo: (beautifully broken)
Kate's tired of kissing strangers to get them free of mistletoe. She's especially tired of snooty Victorian Brits (even if they turn out fine). And she's even more tired, raw, from the shades of little Victorian children, none of them acting like kids at all if she tries to talk to them.

She spends the afternoon shopping, in and out of little curio shops. She "buys" a small book of maps, a tiny globe on a brass stand, a small one for Declan, an ivory elephant, two scrimshaw carved scene on matched walrus tusks (it reminds her of the steno tusks she didn't end up stealing) and a tea set. Kids like tea sets, right?

It's sunset by the time she crosses the bridges to what used to be the Compound. She's planning to slip in and leave some of the things for the kids at the Children's Office and get out before anyone catches her. Just like she's been doing. Tonight when she gets in, there's a light in the office. Savannah's there still.

Kate's about to leave, but the swell of Savannah's belly in silhouette when she turns toward the light and the smile in her eyes arrests Kate. She tucks her gloves into her pockets, pushes her hair back and straight, then knocks.

*
Title lyrics from Adam Lambert's What Do You Want From Me?

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Kate Freelander

July 2022

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